Cameo-carving is one of the most striking activities of the artisan class in
the world. The boundary between its handicraft and art is extremely slender and it is often surpassed by
these men who are really the heirs of a long artistic
traditions built up during centuries by the masters in cameo-carving
since remote ages. Indeed, the cameo identifies itself
today with minute works of carving on shells. Cameo has always meant every stone worked in relief, and more exactly the works in which are used the different layers of semiprecious stones for the
differentiation of the colors in the various plans of the relief itself.
So in the cameo the stone is carved from the front with the picture or profile in relief.
Differently in the Intaglio the stone is carved from the rear with the background in relief.
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Cameos and intaglios were created for two different
purposes. The cameo is a
decorative object, whose origins date back to the 3rd or
4th Century B.C. However, the intaglio was in use much
earlier than the cameo as a stone seal, and it had a
social purpose. At the dawn of the Roman Empire it also
became a propaganda medium by reproducing the faces of
political personalities. The ring with carved stone or
glass paste denoted membership of a political party. Top
The cameos of the 19th
century Roman school were always in hard stone
(generally agate or sardonyx, because they had different
colored layers), whereas cornelian, amethyst,
aquamarine, green jasper and rock crystal were used for
intaglios. The best Roman masters did not consider
shells to be a precious material and they were only used
later on, when the fashion for jewelry cameos led to
their mass production at lower costs.
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Cameos: a work of art
Unlike hard stones, which have a flat surface to work on and for which laser-cutting techniques with pantographs have been introduced in recent years, the convex form, depressions and protuberances of shells means they cannot be carved by hand alone. Every shell cameo is different from the other. They are all unique pieces, despite the fact that some objects are mass produced. The workshop makes the cameos in an assembly line: there are artisans specialized in carving hair, or hands, or noses, and the finished cameo is the result of the whole team's experience and skills. Obviously, this does not apply to the "master" carver: his or her hands manage to transform a piece of shell into elegant and precious sculptures, bas-reliefs with mythological scenes, delicate and diaphanous portraits. These are the true collectibles. But this is a difficult art which, according to many older masters, is unfortunately disappearing. Because this painstaking work is out of step with the frenetic rhythm of our times and with what the market demands. Top
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